In 2006 Primo brought out a 40-track collection entitled
The Art of Bix Beiderbecke. Loosely covering a time span extending from June 20, 1924 to May 21, 1930, this pleasantly jumbled portrait touches briefly upon
Bix's early work with the
Wolverine Orchestra and the Sioux City Six; revisits his collaborations with C melody saxophonist
Frankie Trumbauer, and stirs in examples of
Beiderbecke leading his
Rhythm Jugglers, his Gang and his Orchestra. Also included is evidence of
Bix's adventures as a member of the
Paul Whiteman Orchestra and two titles -- "Rockin' Chair" and "Barnacle Bill the Sailor" -- recorded at what turned out to be the second to last session
Bix would ever participate in. Already ill and seated in a chair, he blew his cornet alongside trumpeter
Bubber Miley, another brilliant musician whose life and career would soon be snuffed out by alcoholism. This group, led by vocalist
Hoagy Carmichael, also included trombonist
Tommy Dorsey, clarinetist
Benny Goodman, tenor saxophonist
Bud Freeman, violinist
Joe Venuti, guitarist
Eddie Lang, drummer
Gene Krupa and featured vocals (on "Barnacle Bill") by a gruff-voiced character named
Carson Robison. Stepping back and admiring Primo's
The Art of Bix Beiderbecke as a dizzy blend of classic jazz recordings cut over a transitional six year period, it seems like an excellent way to listen to highlights from the
Beiderbecke legacy. The other way to do it is to consult tidier, better organized, chronologically stacked "Bixologies." The more casual method, in this case, works nicely even if it gives the listener no sense whatsoever of a temporal stylistic progression. That is clearly not what the folks at Primo had in mind.