David Munrow and his
Early Music Consort of London are the fountainhead of the English historically informed performance practice movement and a prime example of their work is this classic 1975 recording,
The Art of the Netherlands. Among the exceptional young performers who went on to stellar careers are countertenor
James Bowman and tenors
Martyn Hill and
Rogers Covey-Crump, and
Christopher Hogwood, freshly down from Oxford, sits at the organ. But the key figure here is
Munrow, the youthful polymath who combined scholarship, musicianship, craftsmanship, and nearly endless enthusiasm in a singularly explosive blend. If a word like "explosive" seems unusual in context of early music that nevertheless was the effect these recordings had when they were originally issued. So fresh were
Munrow's insights and so overwhelming his energy that these performances practically crackle. The discs are conveniently divided into one for secular songs and another of mass movements, so listeners can easily grasp the difference between the genres and modes of expression.
Munrow and his forces do full justice to both, turning in lusty accounts of the songs and probing readings of the mass movements. Though later performers have refined and developed the historically informed performance practice movement,
Munrow is essential to its understanding.