When
Roseanna Vitro recorded
Conviction: Thoughts of Bill Evans during the summer of 2000, tributes to the late jazz pianist were hardly unprecedented in the jazz world.
Evans was, after all, among the most influential bop/post-bop pianists of the 1950s, 1960s, and 1970s --
Chick Corea,
Keith Jarrett,
Fred Hersch,
Alan Broadbent,
John Serry, and countless others have been heavily influenced by his work.
Hersch, in fact, saluted
Evans' legacy on his album Evanessance: A Tribute to Bill Evans. The thing that makes Conviction unusual, as far as
Evans tributes goes, is the fact that
Vitro is a singer. Although she isn't the only vocalist who has recorded "Waltz for Debby" or "Turn Out the Stars," it isn't every day that
Evans' songs become the primary focus of a jazz vocal date. And much to
Vitro's credit, Conviction isn't about slavish devotion; the Texas native brings something personal to lyrics that were written by Eleana Dee for "Remembering the Rain," Roger Schore for "In April," and
Carol Hall for "Very Early" and "Two Lonely People." Not surprisingly, the CD isn't without its share of
Gene Lees lyrics;
Vitro also interprets the lyrics that the prolific
Lees wrote for "Turn Out the Stars," "Waltz for Debby," and "My Bells." It should be stressed that
Vitro is joined by players who obviously know
Evans' music inside and out --
Eddie Gomez was
Evans' bassist from 1966-1977, and pianists
Fred Hersch and
Allen Farnham have both claimed
Evans as a primary influence. This thoughtful, consistently interesting date proves that you don't have to be an instrumentalist to be inspired by one of jazz's most imaginative pianists. ~ Alex Henderson