Founded in 1992,
Evan Parker's
Electro-Acoustic Ensemble is a highly sophisticated grouping, which for this recording conceptually pairs three acoustic musicians with electronic tone manipulators. What keeps it so interesting is the different approaches to electronics, with
Walter Prati transforming
Parker's sounds, Marco Vecchi reformulating
Paul Lytton's percussion, and violinist
Philipp Wachsmann processing his own acoustic sounds and those of bassist
Barry Guy. It is all fascinating stuff, and if it does not swing or fit into any easy definitions of "jazz," it takes the concept of improvisation to a new level. There is sometimes an aimlessness to it all that can be off-putting, but concentrated listening can produce wonderful rewards for the patient consumer.
Parker's role seems less that of a leader than an instigator. He does, nonetheless, afford himself the opportunity to press his revolutionary technique to action. The detailed 20-page booklet, with extensive liner notes by
Steve Lake is a real plus. ~ Steven Loewy