Side-project Northwest trio of Rob Skinner from
Coffin Break on bass/vocals, with help from
Alcohol Funnycar guitarist Ben London and
Gits drummer Steve Moriarty (the latter two have since been replaced as this "project" became a full-time band). The press info lists
Buzzcocks,
the Jam and
the Beatles as influences (they even own up to filching "Noises in the Dark" from
the Beatles' White Album spine-tingler "Dear Prudence," a song "Velvet Crush" also brazenly pilfered on their wonderful debut 7" "If Not True"), but truth be told, this rippin' sound recalls post-hardcore, '80s Dischord-era Washington D.C. bands like
Gray Matter,
Rites of Spring,
Marginal Man,
Dag Nasty, and to a lesser extent, Embrace,
Scream and later GIs.
Pop Sickle are above average, crunching power pop-punk, with earnest singing and proficient harmonies like that of Descendants/
All. More "
Influences" (as per LP title) include Boston's
Mission of Burma, though it's amusing that
Pop Sickle cover the immortal "That's When I Reach for My Revolver"; it's a truly classic song (from 1981's
Signals, Calls and Marches) and this is an OK version (that slavishly re-creates the original), but out of the forty or fifty songs
MOB released, everybody does this one song! (or "Academy Fight Song") -- in other words, this is half as good as
Catherine Wheel's version, and about on par with Euthanasia's and four or five others. Overall, it's a decent LP and they score points for the gentle, sweet, quiet song that closes here "Sleep." We've heard this style hundreds of times, but this thrown-together group is skilled enough to pass muster. ~ Jack Rabid