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© 1995 Decca Music Group Limited
Titre
Pop.
Heure
Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - Richard Wagner
Wagner: - 1. Of all great musical compositions (Ex.1-4) Voir sur Youtube
03:37
Wagner: - 2. The fundamental symbol (Ex.5-11) Voir sur Youtube
04:46
Wagner: - 3. Returning now to the Nature Motive (Ex.12-16) Voir sur Youtube
03:22
Wagner: - 4. A number of further motives (Ex.17-21) Voir sur Youtube
03:17
Wagner: - 5. A second, much smaller family (Ex.22-25) Voir sur Youtube
02:35
Wagner: - 6. So much for nature (Ex.26-38) Voir sur Youtube
07:56
Wagner: - 7. The cause of the deterioration (Ex.39-44) Voir sur Youtube
03:30
Wagner: - 8. The other transformation (Ex.45-48) Voir sur Youtube
03:44
Wagner: - 9. Several other motives (Ex.49-52) Voir sur Youtube
02:47
Wagner: - 10. Two further motives (Ex.41,53-61) Voir sur Youtube
07:12
Wagner: - 11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8) Voir sur Youtube
05:17
Wagner: - 12. Along another, more complex line (Ex.69-72) Voir sur Youtube
02:12
Wagner: - 13. In Act 2 of "Walküre" (Ex.69,73-75) Voir sur Youtube
02:21
Wagner: - 14. Returning now to Act 2 of "Walküre (Ex.76-79) Voir sur Youtube
03:54
Wagner: - 15. Love is another of the central symbols (Ex.80-83) Voir sur Youtube
03:06
Wagner: - 16. Later in the same scene (Ex.84-87) Voir sur Youtube
02:22
Wagner: - 17. Freia's motive has 2 independent segments (Ex.88-91 Voir sur Youtube
02:01
Wagner: - 18. The label "Flight" (Ex.92) Voir sur Youtube
00:56
Wagner: - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) Voir sur Youtube
05:23
Wagner: - 20. A little later in this interlude (Ex.99-103) Voir sur Youtube
03:07
Wagner: - 21. The other new motive (Ex.104-09) Voir sur Youtube
03:36
Wagner: - 22. There are several independent love-motives (Ex.110- Voir sur Youtube
02:55
Wagner: - 23. The characters in whose lives (Ex.115-120) Voir sur Youtube
05:27
Wagner: - 24. One further motive belongs (Ex.121) Voir sur Youtube
01:25
Wagner: - 25. The sword motive recurs (Ex.122-130) Voir sur Youtube
04:28
Wagner: - 26. Ironically, this phrase (Ex.131-5) Voir sur Youtube
02:58
Wagner: - 27. Closely associated with Gutrune's motive (Ex.136-40 Voir sur Youtube
02:26
Wagner: - 28. Here we come to the end (Ex.141-6) Voir sur Youtube
03:43
Wagner: - 29. Complementary to this symbol (Ex.147-9) Voir sur Youtube
02:14
Wagner: - 30. One last central symbol (Ex.150-7) Voir sur Youtube
04:54
Wagner: - 31. One further motive connected (Ex.158-61) Voir sur Youtube
02:52
Wagner: - 32. There are one or two motives (Ex.162-8) Voir sur Youtube
03:48
Wagner: - 33. These motives of Alberich & Mime (Ex.169-71) Voir sur Youtube
02:07
Wagner: - 34. Quite a number of subsidiary motives (Ex.172-6) Voir sur Youtube
02:50
Wagner: - 35. Besides this family of motives (Ex.177-80) Voir sur Youtube
02:31
Wagner: - 36. Our final example (Ex.10,181-2) Voir sur Youtube
03:57
Wagner: - 37. In the final scene of "Götterdämmerung" (Ex.181-3) Voir sur Youtube
02:45
Wagner: - 38. Even more masterly (Ex.184-8) Voir sur Youtube
04:31
Wagner: - 39. Now if we return (Ex.189-91) Voir sur Youtube
Wagner: - 40. This masterly way (Ex.192-3) Voir sur Youtube
04:52
par Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 1. Of all great musical compositions (Ex.1-4)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 2. The fundamental symbol (Ex.5-11)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 3. Returning now to the Nature Motive (Ex.12-16)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 4. A number of further motives (Ex.17-21)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 6. So much for nature (Ex.26-38)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 7. The cause of the deterioration (Ex.39-44)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 8. The other transformation (Ex.45-48)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 9. Several other motives (Ex.49-52)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 10. Two further motives (Ex.41,53-61)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 12. Along another, more complex line (Ex.69-72)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 13. In Act 2 of "Walküre" (Ex.69,73-75)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 14. Returning now to Act 2 of "Walküre (Ex.76-79)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 15. Love is another of the central symbols (Ex.80-83)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 17. Freia's motive has 2 independent segments (Ex.88-91
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 18. The label "Flight" (Ex.92)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 20. A little later in this interlude (Ex.99-103)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 21. The other new motive (Ex.104-09)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110-
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 23. The characters in whose lives (Ex.115-120)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 24. One further motive belongs (Ex.121)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 25. The sword motive recurs (Ex.122-130)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 37. In the final scene of "Götterdämmerung" (Ex.181-3)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91)
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 40. This masterly way (Ex.192-3)
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