With 2019's
Blessed Is the Boogie, Western Australia's
Datura4 brought blues-rock keyboardist Bob Patient (
Dave Hole,
DM3) to replace departing guitarist Greg Hitchcock. Despite its title, that record, while not remotely subdued, was still less raucous than its two predecessors as the band integrated Patient into their sound.
West Coast Highway Cosmic is titled for the 242-kilometer stretch of two-lane blacktop that runs along the southwest coast of Western Australia and bridges the recording studios
Datura4 has utilized since recording Demon Blues back in 2015. In these ten new songs, guitarist/vocalist/songwriter
Dom Mariani has thoroughly adapted to the wealth of dynamic, textural, and sonic possibilities Patient adds to his band's sound. That now-missing second guitar isn't remotely missed.
The opening title track commences with a near-Gothic church organ and high-droning analog synth before
Mariani adds his slide guitar just before the rhythm section -- bassist Stu Loasby and drummer
Warren Hall -- enters with a thud. As the track kicks into gear, its riff recalls the
Radio Birdman of Living Eyes (though as a singer,
Mariani is no Rob Younger). The organ sound comes right out of
Deep Purple's "Hush" at a frenetic pace. Single "Mother Medusa" is a 4/4 psych boogie that marries vintage
Status Quo to
Blue Cheer with better production.
Mariani dubs his guitar, adding a twinned lead to the band's crunchy plodding burn. "You're the Only One," is a spooky, trippy blues introduced by slide guitars both acoustic and electric accompanied by a heavily reverbed kick drum. The layered echo on
Mariani's voice creates its own drone as guest harmonicist Howie Smallman wails high and lonesome in the foreground (his soulful playing comes right out of the
Junior Wells fakebook). "You Be the Fool" borrows
Led Zeppelin's "Heartbreaker" riff, inverts it and sets up a slow, stoned, distorted choogle, while "Get Out," with its pumping upright piano, is smash- and-grab guttersnipe rock that would be right at home on
the Stooges'
Raw Power. The set's biggest surprise is its final cut, "Evil People, Pt. 1." Though under six minutes it feels like a jam track with serpentine organ, throbbing bass, and martial tom-toms overlaid with distorted guitars in a three-chord vamp that creates a hypnotic, head-wagging pulse as
Mariani sings with malevolence at the heart of the mix. His six-string duels with Patient's Hammond B-3 for dominance as the music melts together in a punishing swirl that brings
West Coast Highway Cosmic to an overloaded boil of blasted psych blues. This aptly titled set is perfect for driving fast on long, lonely stretches of highway with the windows down and the wide-open night for company. ~ Thom Jurek