The most unusual selection on this
Al Cohn-
Zoot Sims set from 1960 is "Improvisation for Unaccompanied Saxophones," a short but effective two-tenor workout that, through a clever arrangement by
Cohn, gives one the impression that both saxophonists are using circular breathing. Another departure is "Angel Eyes," which has both
Cohn and
Sims switching to clarinet and showcases
Major Holley's singing and bowed bass. Otherwise, the co-leaders stick to their main instruments and enjoy swinging together with the assistance of
Holley, pianist
Mose Allison (who would soon be starting his own successful solo career), and drummer
Osie Johnson. ~ Scott Yanow