Though he grew up as a drummer and was raised on rock & roll,
Coco Montoya became an outstanding blues guitarist after stints in the bands of
Albert Collins and
John Mayall. Over a five-decade-plus career he has become an influential, charting, award-winning blues guitarist, singer, and songwriter. His biting tone melds raucous yet melodic Chicago blues and vintage R&B with soulful vocals. He possesses a unique, left-handed playing style that brings funky Latin rhythms, roots rock, and jazz into electric blues. His Silvertone/Blind Pig debut solo effort,
Gotta Mind to Travel from 1994, won a
W.C. Handy award for "Best New Artist." His sophomore outing,
Ya Think I'd Know Better, landed inside the Top Ten on the blues charts -- setting the bar for the success of his entire catalog. After signing with Alligator Records in 2000, two consecutive albums --
Can't Look Back and
Dirty Deal -- landed in the Top Five. His popularity continues: his 2017 date,
Hard Truth, peaked at number five. Unlike most bluesmen,
Montoya often goes years between releases but tours regularly.
Born Henry Montoya in Santa Monica, California in 1951, his childhood home was a treasure trove of music thanks to an enormous family record collection curated equally by his father and siblings. They listened to everything from big-band records to rock & roll and doo wop singles that flooded AM radio. During the early '60s, English musicians including
John Mayall and
Eric Clapton were redeveloping the electric blues style based on hearing American bluesmen such as
Muddy Waters,
Howlin' Wolf, and
Sonny Boy Williamson.
Montoya credits hearing
Clapton play
Freddie King's "Hideaway" as his initiation to electric blues. As a teen, he taught himself the guitar to voice feelings he couldn’t verbalize. It was his second instrument -- the first was a drum kit.
Montoya played in local rock bands and established a rep as a rock-solid player. In 1969 he attended a concert to see
Iron Butterfly and
Creedence Clearwater. Between sets,
Albert King performed.
Montoya witnessed him playing "Watermelon Man," and it changed his life: he later said it was the first time he heard music that came straight from the heart.
In the '70s, Texas guitar slinger
Albert Collins was booked to play a matinee at a small club in Culver City that
Montoya had played the previous night. The club owner gave
Collins permission to use his drums.
Montoya arrived to pick up his gear and noticed someone had been playing his kit. He was irritated with the club owner. After being informed of this,
Collins called him at the club; he was as gracious as he was apologetic.
Montoya caught his gig and later told an interviewer "…it just tore my head off. The thing that I had seen and felt with
Albert King came pouring back on me when I saw
Albert Collins."
A few months later,
Collins needed a drummer for a tour of the American Northwest. He remembered
Montoya and called him. During the tour, the guitarist took his young charge under his wing, teaching him about blues music and road life.
Montoya remained with
Collins' band for five years. During that period, the younger man began doubling on guitar.
Collins went out of his way to teach him while killing time in hotel rooms. The elder man would have
Montoya play along to changes and develop leads organically, asking him not to think, but feel his way through the music. The pair became so close he referred to
Montoya as his "son." After leaving the band, the pair remained close until the older man's death from cancer in 1993.
Montoya was back in the small-time nightclub business, by the early '80s bartending and playing guitar with regional bands. During a show he discovered that
John Mayall was in the audience celebrating his birthday. In tribute,
Montoya launched into a cover of
Otis Rush's "All Your Love (I Miss Loving)." Impressed,
Mayall left the club with a soundboard tape of
Montoya's performance. When he decided to re-form the
Bluesbreakers after a 16-year hiatus, he called
Montoya. Despite the enormous pressure of filling a spot held previously by
Clapton and
Peter Green,
Montoya grabbed the opportunity.
Mayall had not released an album in five years, but the 1985 revival set
Behind the Iron Curtain proved the British bluesman's continued viability, thanks in large part to the fiery axe work of
Montoya. He remained with the
Bluesbreakers for a decade before striking out on his own.
Montoya made his leader debut with the 1995
Gotta Mind to Travel for Silvertone in the U.K. and Blind Pig in the U.S. It featured guest spots from
Collins (his final recorded performance),
Mayall,
Debbie Davies, and
Al Kooper. It garnered an award in the Best New Blues Artist category at the following year's
W.C. Handy Award. After that,
Montoya became not only a popular artist among blues fans, critics, and radio programmers, but a mainstay and draw on the scene. He released two more albums for Blind Pig, 1996's
Ya' Think I'd Know Better, and 1997's
Just Let Go (both charted) before signing to Chicago's Alligator Records for Suspicion in 2000; it reached number ten.
Montoya's profile expanded exponentially as his road band toured the globe for more than a year. Upon returning, he recorded 2002's
Can't Look Back; it reached number two as the band hit the road for more than three years. After a long break he hit the touring circuit again and in late 2006, he re-entered the recording studio, emerging with
Dirty Deal in 2007; it peaked at number two. As his road presence increased, he began headlining European and Asian music festivals. To that end he signed a European deal with Germany's Ruf Records issuing 2010's I Want It All Back (number four) and his first live offering, the double-length
Songs from the Road in 2014 (number 15), promoting it with a U.S. tour of festivals and clubs.
Montoya returned to Alligator for 2017's
Hard Truth, which climbed to number five on the blues charts. After a short tour of festival sheds,
Montoya returned to the studio to emerge with
Coming in Hot in August of 2019. The set included songs by the teams of
Montoya and
Dave Steen as well as
Tom Hambridge and
Richard Fleming. It also included tunes by
Warren Haynes,
Frankie Miller, Jeff Paris, and
Collins. The guitarist's backing band included bassists
Bob Glaub (
Bob Dylan,
Bruce Springsteen) and Mike Mennell (
Jimmy Buffett,
John Fogerty), keyboardist
Mike Finnigan (
Jimi Hendrix,
Etta James,
Taj Mahal), rhythm guitarists
Billy Watts (
Eric Burdon) and
Johnny Lee Schell (
Bonnie Raitt), and drummer
Tony Braunagel, who also produced the album. ~ Thom Jurek