Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): I. Circular Patterns

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): III. Fragments of an Imagined Music

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): II. Revisited and Inspirited

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): IV. In the End Perhaps Even Lost

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): V. Beneath a Porous Veneer

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): VI. Discrete Articulations

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): VII. Vigilantly Awake

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): VIII. Adrift and Deserted

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): IX. Memories of the Forgotten

Stefan Östersjö

Traces of Oblivion (Version for Alto Guitar & Electronics): X. A Disappearance Through Erosion

Stefan Östersjö

Night's Blackbird

Natasha Barrett, Stefan Östersjö

Earth With Her Flowers

Natasha Barrett, Stefan Östersjö

Nam Mái

Stefan Östersjö, The Six Tones, Seattle Symphony

Strandlines

Stefan Östersjö, The Six Tones, Seattle Symphony

Corde: I. Fascia

Stefan Östersjö

Corde: II. Collagene (Fascia II)

Stefan Östersjö

Corde: III. Colloide (Fascia Epilogue)

Stefan Östersjö

Libra: I. Preludio

Stefan Östersjö