Blowin' the Blues Away is one of
Horace Silver's all-time Blue Note classics, only upping the ante established on Finger Poppin' for tightly constructed, joyfully infectious hard bop. This album marks the peak of
Silver's classic quintet with trumpeter
Blue Mitchell, tenor saxophonist
Junior Cook, bassist
Gene Taylor, and drummer
Louis Hayes; it's also one of the pianist's strongest sets of original compositions, eclipsed only by
Song for My Father and
Horace Silver and the Jazz Messengers. The pacing of the album is impeccable, offering up enough different feels and slight variations on
Silver's signature style to captivate the listener throughout. Two songs -- the warm, luminous ballad "Peace" and the gospel-based call-and-response swinger "Sister Sadie" -- became oft-covered standards of
Silver's repertoire, and the madly cooking title cut wasn't far behind. And they embody what's right with the album in a nutshell -- the up-tempo tunes ("Break City") are among the hardest-swinging
Silver had ever cut, and the slower changes of pace ("Melancholy Mood") are superbly lyrical, adding up to one of the best realizations of
Silver's aesthetic. Also, two cuts ("Melancholy Mood" and the easy-swinging "The St. Vitus Dance") give
Silver a chance to show off his trio chops, and "Baghdad Blues" introduces his taste for exotic, foreign-tinged themes. Through it all,
Silver remains continually conscious of the groove, playing off the basic rhythms to create funky new time patterns. The typical high-impact economy of his and the rest of the band's statements is at its uppermost level, and everyone swings with exuberant commitment. In short,
Blowin' the Blues Away is one of
Silver's finest albums, and it's virtually impossible to dislike.