While an improvement over her earlier recording of Brahms' First Symphony, American conductor
Marin Alsop's new recording of Brahms' Second is still nothing to write home about. As before, the
London Philharmonic plays superlatively, with strong strings, blended winds, and warm brass and, as before,
Alsop conducts superbly, with a cogent ensemble, a full sound, and muscular rhythms. The problem, as before, is that
Alsop's interpretations, while well-phrased and admirably shaped, are ultimately shallow. For all the clarity of her phrasing and the lucidity of her textures,
Alsop's melodies have no nuance, her shapes have no substance, and her colors have no shadows. Her performances of eight of Brahms' Hungarian Dances orchestrated by Brahms and Dvorák are more successful because the music is more straightforward and plays to
Alsop's strengths, and, once again, the
LPO performs brilliantly. But there are dozens of better performances of Brahms' Second available -- try
Furtwängler's or
Walter's for starters, then try
Abbado's or
Davis' for later recordings. Speaking of recordings, Naxos' sound is dim, distant, and gray.