Contemporaries, amicable friends, and even mutual admirers, the legacies of
Ludwig van Beethoven and Franz Clement could not have ended up being more different. In fact, Clement's name is little known today save for music history buffs who recognize the close relationship he had with
Beethoven and are aware that
Beethoven wrote his Violin Concerto with Clement in mind. Violinist
Rachel Barton Pine is heard on this Cedille album playing these two closely intertwined concertos with the
Royal Philharmonic Orchestra under Jose Serebrier. In fact, this recording represents the first for the Clement concerto, a work that has remained essentially dormant for almost two centuries. Clement's concerto, which was written approximately two years prior to
Beethoven's, takes a great many stylistic cues from the younger master, especially in the expansive double expositions and orchestrations. The solo violin part bears many similarities to
Mozart.
Pine's performance is captivating, elegant, and delicate from her first entrance; the cadenza, which
Pine composed herself, are vivacious without being overly showy. Her commitment to the composition is admirable and is sure to gain attention both for it and herself. Her performance of the
Beethoven, by contrast, is a little bit of a disappointment. While just as technically strong and musically coherent as the Clement performance,
Pine simply seems to run out of new things to say in this warhorse concerto. Even her cadenzas for the
Beethoven are lacking in any real, new interest.