During the late 2010s, guitarist and composer
Pat Metheny toured a new quartet featuring British piano prodigy
Gwilym Simcock, Malaysian-Australian bassist
Linda May Han Oh, and veteran Mexican-American drummer
Antonio Sanchez. This group learned the guitarist's catalog and toured it globally, gelling and maturing before entering the studio for
From This Place, the first new studio material from
Metheny since 2014.
Metheny's group is aided by the
Hollywood Symphony Orchestra conducted by
Joel McNeely. The orchestral charts were handled by
Alan Broadbent and
Gil Goldstein, who developed them after the players' recorded interactions so as not to muddy the live playing and improvising. Tensions exist throughout: There are musical and sonic references to storms (literal and metaphorical), the environment, American political life, and trying emotional, romantic, and economic times.
Metheny and the band balance them with hope, sensitivity, steely determination, and vulnerability.
From This Place is lush, airy, elegant, and graceful, framed by adventurous harmonics, dark drama, and illuminating melodic invention. At over 13 minutes, opener "America Undefined" is more a suite than a composition. Introduced by
Sanchez's whispering cymbals, a sonorous cello, ambient textures, and
Simcock's piano,
Metheny's languid entrance becomes an incantation that, just a few minutes later, introduces fleet post-bop propelled by
Han Oh and
Sanchez. Pianist and guitarist complement each other with fills, accents, and counter melodies; they eventually commingle and add sweeping colors through their interplay, as an echoing train and a swelling orchestra make the drama transcendent. By contrast, "Wide and Far" is a bluesy groover that nods to
Metheny's first great jazz influence,
Wes Montgomery, while
Simcock melds
Horace Silver's funky hard bop to nearly pastoral expressionism. The tune's orchestration recalls
Don Sebesky's on The Rape of El Morro, one of the CTI dates that remains important to
Metheny. "You Are" commences as a slow, crystalline ballad stated impressionistically by piano, guitar, and bass with only brushed percussion accents. Halfway through,
Sanchez erupts, a storm darkens from the orchestra and the entire band crashes in as wordless vocals hover like sirens in the backdrop. The tune swells and simmers, then soars thanks to
Sanchez's thunderous rolls and fills. "Pathmaker" sums up the questions posed by "American Undefined." It charts a way through some of the murky darkness to revel in its intricate post-bop before
Sanchez and
Metheny create a second dialogue with sweeping harmonies before
Simcock's knotty solo crisscrosses tradition with modernism.
Metheny calms it all halfway, and begins to assemble another musical narrative in his solo break. Guest
Gregoire Maret adds a tender, high-lonesome harmonica to the gorgeous ballad "The Past Is in Us."
Metheny composed the title track's melody in 2016, the morning after Donald Trump's election. Alison Riley's poignant lyrics are delivered by her partner
MeShell Ndegeocello.
Metheny explained that they "…captured exactly the feeling of that tragic moment while reaffirming the hope of better days ahead…".
From This Place integrates and illuminates most of
Metheny's musical personas. His compositions allow this stellar collective to roam through them with their many strengths. They ultimately provide fans an abundance of listening pleasure. Even in a catalog filled with so many gems,
From This Place shines brightly. ~ Thom Jurek