With 1998's
Take My Heart,
Claire Martin made the transition from jazz to pop, and the British singer continues in a pop-oriented direction on
Perfect Alibi. Even if you have a very liberal definition of jazz, this late-1999/early-2000 recording shouldn't be considered jazz;
Perfect Alibi is a pop album, although it's a pop album with jazz, R&B, and rock references. Not surprisingly, many of England's jazz enthusiasts are critical of
Martin's pop albums, she was among the most exciting and interesting young jazz vocalists of the 1990s, and they were sorry to see a talented improviser steering clear of improvisation. But from a pop standpoint,
Perfect Alibi has a lot going for it.
Martin doesn't improvise on this album, although her performances of
Jimi Hendrix's "Up From the Skies,"
the Rascals' "How Can I Be Sure?," and other rock and pop songs do have a personal quality. The jazz-oriented
Martin of The Waiting Game and
Old Boyfriends would have found a way to turn
the Stylistics' "People Make the World Go Round,"
Al Kooper's "More Than You'll Ever Know," and
Todd Rundgren's "Wailing Wall" into improvisatory cool jazz. The pop-oriented
Martin of
Perfect Alibi, however, personalizes those familiar songs without getting into improvisation. As far as
Martin's pop output goes,
Take My Heart is a slightly stronger album. But
Perfect Alibi is generally likable, although the jazz lovers of 1999 and 2000 hoped that she would get back to recording jazz. ~ Alex Henderson