The booklet notes for this release on violinist
Gil Shaham's label, Canary Classics, provide a basic overview of the Spanish violinist/composer
Pablo de Sarasate, as well as information about the performers on the disc. But they don't include information on the "Sarasateada" mentioned in the disc's title. It's a
Sarasate festival held in the Spanish city of Valladolid, and some of the album's tracks were recorded live there. Were the other recordings part of the festival, as well? That's unknown, but the performances hold together as a single piece of work nevertheless, and despite the presence of two different violinists,
Shaham and his wife, Australian-born and -trained
Adele Anthony (pictured in a soft-focus profile on the cover). You can certainly tell them apart, but there is an attractive aspect of dialogue between them, and as the final duo-violin piece Navarra explodes in a shower of pizzicati there's a real sense of ensemble at a virtuoso level. Both capture the elegance of
Sarasate, who was the intellectual among the violin stars of the nineteenth century. He was admired by
George Bernard Shaw (who wrote that he "left criticism gasping miles behind him") and name-checked by
Arthur Conan Doyle in "The Red-Headed League."
Shaham is especially clean in the numerous top-of-the-range passages, where
Sarasate's music takes on an uncanny quality that must have appealed to the Spiritualist in
Doyle. Also well worthy of note are the efforts of producer and engineer
Da-Hong Seetoo, who renders
Shaham's acrobatics with absolute clarity in the live performances and welds the live and studio recordings together in the mastering. The live aspect of the album is all to the good; the excitement of the audiences is genuine, and the mood carries through to the rest of the tracks. This is a good choice for an initial
Sarasate purchase or for anyone following
Shaham's growing career.