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harmonia mundi
Title
Pop.
Time
The Mad Lover Suite: Ground. Aire V View on Youtube
03:41
Sonata sesta for violino solo: I. Adagio View on Youtube
01:57
Sonata sesta for violino solo: II. Allegro [1] View on Youtube
00:59
Sonata sesta for violino solo: III. Adagio View on Youtube
02:22
Sonata sesta for violino solo: VI. Allegro [2] View on Youtube
01:08
Improvisation for solo lute View on Youtube
Thomas Dunford
05:34
Variations on La Folia View on Youtube
05:15
Fantasia in A Minor 'Alia Fantasia' View on Youtube
Théotime Langlois De Swarte
04:05
Suite in A Minor: V. Sarabanda amorosa (Adagio) View on Youtube
02:28
Diverse bizzarrie sopra la vecchia sarabanda o pur Ciaccona View on Youtube
05:08
Prelude in G Minor, ZN. 773 View on Youtube
01:44
Violin Sonata in G Minor: I. Grave View on Youtube
03:19
Violin Sonata in G Minor: II. Courante View on Youtube
01:41
Violin Sonata in G Minor: III. Adagio View on Youtube
02:08
Violin Sonata in G Minor: IV. Vivace View on Youtube
01:03
Suite in G Major: I. Preludio View on Youtube
01:27
Suite in G Major: II. Grave View on Youtube
01:54
Suite in G Major: III. Sarabanda View on Youtube
03:57
Suite in G Major: IV. Aria Burlesca View on Youtube
02:21
Suite in G Major: V. Capriccio View on Youtube
01:51
Suite in G Major: VI. Giga Al Genio Turchesco View on Youtube
00:48
Sonata Quinta in E Minor: I. Andante View on Youtube
03:29
Sonata Quinta in E Minor: II. Courente View on Youtube
02:14
Sonata Quinta in E Minor: III. Largo View on Youtube
05:31
Sonata Quinta in E Minor: IV. Presto View on Youtube
02:25
Fantasia in C Minor, "con discretione" View on Youtube
04:47
A new division upon the ground bass of "John come and kiss me" View on Youtube
04:51
The Mad Lover Suite: Ground. Aire III View on Youtube
02:01
Exalted melancholy. A violin and a lute: with this choice line-up, our pair of instrumentalists – and frequent partners on the current Baroque music scene – illuminates some aspects of an elusive amalgam that constitutes the 17th-century English notion of melancholy. The inconsolable ‘Mad Lover’ of the album title is reimagined by Théotime Langlois de Swarte and Thomas Dunford as a character from the reign of Charles II: a tale told through music from the pen of such violin virtuosos as the prodigiously gifted Nicola Matteis. Heightened by the exuberance and abandon common to those musicians transplanted from Italy, the beguiling nuances of this language of yearning and loss continue to echo in the popular music of our time. © harmonia mundi
by Théotime Langlois De Swarte, Thomas Dunford
by Thomas Dunford
by Théotime Langlois De Swarte
The Mad Lover Suite: Ground. Aire V
Sonata sesta for violino solo: I. Adagio
Sonata sesta for violino solo: II. Allegro [1]
Sonata sesta for violino solo: III. Adagio
Sonata sesta for violino solo: VI. Allegro [2]
Improvisation for solo lute
Variations on La Folia
Fantasia in A Minor 'Alia Fantasia'
Suite in A Minor: V. Sarabanda amorosa (Adagio)
Diverse bizzarrie sopra la vecchia sarabanda o pur Ciaccona
Prelude in G Minor, ZN. 773
Violin Sonata in G Minor: I. Grave
Violin Sonata in G Minor: II. Courante
Violin Sonata in G Minor: III. Adagio
Violin Sonata in G Minor: IV. Vivace
Suite in G Major: I. Preludio
Suite in G Major: II. Grave
Suite in G Major: III. Sarabanda
Suite in G Major: IV. Aria Burlesca
Suite in G Major: V. Capriccio
Suite in G Major: VI. Giga Al Genio Turchesco
Sonata Quinta in E Minor: I. Andante
Sonata Quinta in E Minor: II. Courente
Sonata Quinta in E Minor: III. Largo
Sonata Quinta in E Minor: IV. Presto
Fantasia in C Minor, "con discretione"
A new division upon the ground bass of "John come and kiss me"
The Mad Lover Suite: Ground. Aire III
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