Part of the fun of following developments in Baroque music is that, while the press is reduced to trying to work up excitement for the merest scrap of music potentially by
Mozart or
Beethoven, unknown masterpieces by the likes of
Vivaldi are still surfacing with regularity. This release by the energetic French label Naïve (check out the wild cover photo, apparently of contralto
Sonia Prina) is a case in point. Conductor
Ottavio Dantone and his
Accademia Bizantina ensemble, prime exponents of the rocking and rolling school of Italian Baroque interpreters, here uncover a dozen arias drawn from little-known
Vivaldi manuscripts, or inserted as alternate numbers into existing operas. These Arie ritrovate, or rediscovered arias, are anything but a completist grab bag of odds and ends. There are some bona fide masterpieces here (as indeed there are all through the still largely unmined corpus of Vivaldian opera), and plenty of music to challenge any singer.
Prina's voice has an extremely attractive combination of power with a sort of woodwind quality; sample and enjoy. And hear what she can do in the flat-out careering virtuosity of "Per lacerarlo," an alternate aria from Teuzzone, or, by contrast, the emotional indecision and ambiguity of "Vedi le mie catene" from the same opera. The latter is the only work on the album possibly not by
Vivaldi, but it's remarkable whoever may have composed it. A few pieces are reconstructions by
Dantone and
Frédéric Delaméa of arias whose music has been lost, apparently working from deductions that they represented contrafacta of arias with metrically similar texts; one of the few complaints that might be raised here is that it is not exactly clear how they reached their conclusions. The music is at a uniformly high level, however. The 12 arias are grouped into three sets of four, separated by a pair of concertos delivered in
Dantone's trademark tumultuous style, and all in all this is as strong a collection of
Vivaldi music as has appeared anywhere, with the added bonus that all the music is new. Notes and aria texts are in Italian, French, and English.