* En anglais uniquement
John Mark Ainsley is a leading British tenor especially associated with repertory from the Classical era and earlier. He studied at Oxford, where his teacher was Diane Forlano. In his earliest professional appearances, he established himself as a
Mozart tenor, including the role of Idomeneo at the Welsh National Opera and as Don Ottavio at the Aix-en-Provence and Glyndebourne Festivals. His first American appearances were in concerts in New York and Boston, and in 1992 he debuted with the Berlin Philharmonic Orchestra.
His first Viennese appearances were in performances of both the St. Matthew and St John Passions by
Bach with the Musik Verein in 1992. The conductor on those occasions was
Peter Schreier, who is also one of the era's finest lieder and
Bach tenors. Among his other leading roles are the title part of Gluck's Orfeo (his debut role at the Netherlands Opera, 1966), Tito in
Mozart's La Clemenza di Tito (for his first appearance in Sydney, 1997), Fenton in
Verdi's Falstaff, Lensky in
Tchaikovsky's Eugene Onegin, and Jonathan in Nielsen's Saul and David. He has sung and recorded the role of Lysander in
Britten's A Midsummer Night's Dream.
He is also an active recitalist and concert artist who has appeared with
Les Musiciens du Louvre, the
New York Philharmonic, the
Berlin Philharmonic, L'Orchestre de Paris, the
London Symphony, the
Vienna Philharmonic, the
San Francisco Symphony, and the
Boston Symphony. He records for several labels, but is most closely associated with Hyperion, which has selected him to appear on six discs of its great series of the complete
Schubert songs. His repertory for that company includes music of
Stravinsky, Vaughan Williams,
Warlock, William Lloyd Webber, Grainger,
Britten, Ireland, Finzi, and Quilter.