* En anglais uniquement
Born in 1947 in Wales,
Percy Jones is a true innovator on the fretless electric bass, with a nimble, fluid, and harmonic-rich style that is uniquely his own. An autodidact,
Jones played fretted bass for a number of years before switching to fretless, and his inimitable approach helped to set British jazz-rockers
Brand X apart from other fusion outfits on such albums as
Unorthodox Behaviour (1976),
Morrocan Roll (1976), and
Masques (1978). Even as
Brand X underwent numerous lineup changes over the years (
Phil Collins was the group's first drummer but departed before the recording of
Masques),
Jones' characteristic tone and touch remained constants across sporadic releases by the group extending into the 1990s. Meanwhile,
Brian Eno tapped
Jones to contribute atmospheric bass on some of his early forays blending ambient experimentation with pop forms, namely
Another Green World (1975) and
Before and After Science (1977).
Jones also appeared on
Eno's more purely ambient
Music for Films (1978).
Jones subsequently moved to New York City and recorded his solo album
Cape Catastrophe at a studio in East Harlem in 1988 and 1989, playing his five-string Wal V bass in live accompaniment to tracks he laid down using synthesizer, sequencer, drum machine, and digital delay.
Cape Catastrophe was released in 1990, a year that also saw the arrival of
Propeller Music by
the Percy Jones Ensemble, in addition to
Jones featuring guitarist Jeff Llewelyn, violinist
Shankar, vocalist Joe Sofia, keyboardist
Anton Sanko, drummer
Sterling Campbell, and drummer
Mike Clark. During his musical career,
Jones has also briefly played bass with jazz-rock-era
Soft Machine; led the fusion ensemble
Tunnels from the late '90s into the new millennium; and performed and/or recorded with a variety of artists including
Steve Hackett,
David Sylvian,
Richard Barbieri,
Roy Harper, and
Suzanne Vega. ~ Dave Lynch