* En anglais uniquement
Philip Jeck was an English avant-garde composer and performance artist who utilized antique turntables in order to make haunting audio sculptures as well as ambitious large-scale installations. Using looping devices and a variety of analog and digital effects, he uncovered hidden rhythms in forgotten records, embracing surface noise and distortion. His recordings ranged from jarring rhythmic excursions to ghostly, longform drones. He started experimenting with turntables and electronics during the early '80s, and began releasing music on British label Touch in 1995; the label has issued many of his best-known recordings, such as
Surf,
Stoke, and
7. He collaborated with musicians such as
Gavin Bryars,
Jah Wobble,
Jaki Liebezeit, and
Janek Schaefer. His visual artworks and installations have been presented at numerous prestigious galleries. He also composed music for opera, ballet, and film.
After studying the visual arts at Dartington College in Devon,
Jeck began a performance career that found him at art galleries as well as warehouse parties, where he emulated the turntable tricks of American hip-hop DJs like
Grandmaster Flash. It was during a five-year collaboration with contemporary dancer Laurie Booth, though, that
Jeck developed a more personal and experimental style of music-making allied with Canadian
John Oswald's style of plunderphonics sampling.
Jeck's 1993 Vinyl Requiem installation with Lol Sargent utilized 180 turntables as well as 12 slide projectors and two film projectors, and won a Performance Award from Time Out magazine. The following year, he appeared on the Blast First! compilation Deconstruct alongside
Christian Marclay,
John Oswald,
Bruce Gilbert and Stock, Hausen & Walkman and in 1995,
Jeck released his debut album,
Loopholes, for Touch.
Surf followed four years later. Vinyl Coda I-III, a double CD containing live radio broadcasts and performances, appeared on Intermedium Records in 2000, with Vinyl Coda IV appearing the following year. Also in 2001,
Jeck contributed to
4 Parabolic Mixes, a double CD on Sub Rosa containing works based on 8 Études Paraboliques by
Henri Pousseur, featuring mixes by
Pousseur as well as
Main and
Oval.
In 2002,
Jeck collaborated with fellow turntablist
Claus van Bebber for a live performance which was released as Viny'l'isten by Intermedium Records. Another collaborative effort called Invisible Architecture #1, a document of a live performance with
Otomo Yoshihide and
Martin Tétreault, was released by Audiosphere.
Jeck also released
Stoke (one of his most critically acclaimed solo albums) and
Soaked (a collaboration with
Jacob Kirkegaard), both on Touch. 2003 saw the release of two solo albums by
Jeck:
7 (Touch) and Host (Sub Rosa). 2004 brought two more collaborative albums: Songs for Europe (Piosenki Dla Europy) (Asphodel) with
Janek Schaefer and
Live in Leuven (30 Hertz Records) with
Jah Wobble and
Jaki Liebezeit. In 2007, Touch released a recording of a 2005 performance of
Gavin Bryars' The Sinking of the Titanic by Italian ensemble
Alter Ego that featured
Jeck on turntables.
Sand,
Jeck's first solo album in five years, was released by Touch in 2008, as was Amoroso, a split 7" with
Fennesz in which both artists manipulated a recording of organ player
Charles Matthews. A limited vinyl-only solo release titled
Suite: Live in Liverpool was issued by Touch and Autofact Records in 2009, and The Tapeworm issued a
Jeck cassette called Spool, created entirely using as bass guitar, the same year.
In 2010, Touch released Spliced, a collaborative 7" between
Jeck and
Marcus Davidson.
Jeck's next solo album,
An Ark for the Listener, was also released by Touch that year. TablesAreTurned, a double-LP collaboration between
Jeck,
Alter Ego, and
Bernhard Lang, and based on a song by
Amon Düül 2, was released by God Records in 2011. Following a few digital-only releases of live performances,
Jeck returned to record shops in 2015 with
Cardinal, a double LP issued by Touch. God Records reissued Vinyl Coda in two double-LP installments, with I-II appearing in 2016 and III-IV arriving two years later. In between, Touch released
Jeck's live CD Iklectik, recorded at the London venue of the same name. Digital release Arcade, also recorded at the same venue, appeared in 2018.
Stardust, a collaboration with
Faith Coloccia, appeared in 2021.
Jeck died on March 25, 2022, at the age of 69. ~ John Bush & Paul Simpson