Type de version
ALBUM
Let Voices Resound: Songs From Piae Cantiones
Informations sur le produit
De $9.90
Options de diffusion
(C) 1999 Naxos
Volume 1
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1Popularité 1/10
Volume 2
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1Popularité 1/10
Volume 3
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1Popularité 1/10
Volume 4
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1Popularité 1/10
Volume 5
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1Popularité 1/10
Volume 6
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1Popularité 1/10
Volume 7
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1Popularité 1/10
Volume 8
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1Popularité 0/10
Volume 9
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1Popularité 1/10
Volume 10
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1Popularité 1/10
Volume 11
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1Popularité 1/10
Volume 12
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1Popularité 1/10
Volume 13
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1Popularité 1/10
In Naxos' Let Voices Resound, Jeremy Summerly and the female singers within Oxford Camerata tackle a 1582 publication that launched several tunes that remain with us more than five centuries on. Compiled by Jakko Suomalainen, then headmaster of the Turku Cathedral School in Finland, Piae Cantiones was a compilation of 74 sacred pieces married to popular melodies already several centuries old, and probably intended as a publication for use in training amateur choruses. In Finland, Piae Cantiones is regarded as representing the remainder of what pre-seventeenth century they have, and it is still a standard text in use by choruses there, although the 1625 edition, which contains Finnish language texts over the Latin, is preferred over that in use here.
In English-speaking lands, the performance of Tempus adest floridum will be of particular interest, as the tune, transformed in the nineteenth century, became our Christmas song "Good King Wenceslas." "In dulci jubilo" is a melody so closely associated with Johann Sebastian Bach that in some sources it is attributed to him; here it is heard in a source published more than a century before his birth. "Puer natus in Bethlehem" will be known to most who have listened to at least one early music-styled Christmas album, or have taken in a Christmas concert of that kind. Although the polyphonic pieces within the 1582 edition, and there weren't many, such as "Aetas Carmen melodiae" and "Parce Christus spes reorum," are arcane and unusual even for their time, most of the 13 selections that appear on Let Voices Resound will sound familiar in some way, which accounts for Piae Cantiones' great success over the centuries.
Let Voices Resound is performed with clarity, purity, and plainness appropriate to the setting of a small, pietistic community in a remote place such as Turku. Most of the melodies are monophonic, and some simple harmonization, in keeping with practices of the time, is employed, but not in all cases. Naxos' Let Voices Resound is a terrific disc to put on quietly and zone out to, and it is a wonderful item to have around to play at Christmastime. It wouldn't make for a bad gift, either.
In English-speaking lands, the performance of Tempus adest floridum will be of particular interest, as the tune, transformed in the nineteenth century, became our Christmas song "Good King Wenceslas." "In dulci jubilo" is a melody so closely associated with Johann Sebastian Bach that in some sources it is attributed to him; here it is heard in a source published more than a century before his birth. "Puer natus in Bethlehem" will be known to most who have listened to at least one early music-styled Christmas album, or have taken in a Christmas concert of that kind. Although the polyphonic pieces within the 1582 edition, and there weren't many, such as "Aetas Carmen melodiae" and "Parce Christus spes reorum," are arcane and unusual even for their time, most of the 13 selections that appear on Let Voices Resound will sound familiar in some way, which accounts for Piae Cantiones' great success over the centuries.
Let Voices Resound is performed with clarity, purity, and plainness appropriate to the setting of a small, pietistic community in a remote place such as Turku. Most of the melodies are monophonic, and some simple harmonization, in keeping with practices of the time, is employed, but not in all cases. Naxos' Let Voices Resound is a terrific disc to put on quietly and zone out to, and it is a wonderful item to have around to play at Christmastime. It wouldn't make for a bad gift, either.
Volume 1
1. Aetas carmen melodiae
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
-
Anonymous
Daniel Friderici - Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 2
1. Parce Christus spes reorum
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 3
1. Tempus adest floridum
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 4
1. Resonet in laudibus
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 5
1. Cedit hyems eminus
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 6
1. Personent hodie
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Traditional
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 7
1. Psallat fidelis concio
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 8
1. Jesu dulcis memoria
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 9
1. In dulci jubilo [14th century]: In dulci jubilo
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 10
1. Florens juventus virginis
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 11
1. Jeremiae prophetae
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 12
1. Ave maris stella
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Volume 13
1. Puer natus in Bethlehem
par Helen Groves
- Artiste Principal
-
Helen Groves
Caroline Trevor
Carys-anne Lane
Oxford Camerata Female Voices
Rebecca Outram - Chœur/chorus
- Oxford Camerata Female Voices
- Compositeur
- Anonymous
- Chef D'orchestre
- Jeremy Summerly
- Artiste
-
Caroline Trevor
Carys-anne Lane
Rebecca Outram
Helen Groves
Spécifications techniques
- Volume
- 13 volumes au total
- Titres
- 13 titres disponibles
- Type
- ALBUM
- Format
- Médias numériques
- Durée
- 1 heure, 0 minutes et 1 secondes
- Explicite
- Aucun
- Image de couverture
- Disponible et jusqu'à 352x352 px
- Livret
- Disponible au format PDF
- Qualité maximale
Qualité CD (Sans perte)
16bit / 44.1 kHz
Stéréo
- Extension audio
Sans perte: FLAC, M4A, WAV, WV, AIFF
Avec perte: AAC, MP3, M4A, MP4, OGA, OGG, OPUS, WMA
- Format d'archivage
- Disponible dans ces formats : ZIP, TAR, RAR
- Paroles
- Pas de paroles trouvées
- Paroles synchronisées
- Aucune parole synchronisée trouvée
- Genres
- Classique
- Label
- Naxos
- Service de distribution de musique
- Inconnu
- Pays
R.A.S. chinoise de Hong Kong- Langue
- Anglais (États-Unis)
- Popularité
- Popularité 0/10
- Date de sortie
- 8 mars 1999
- Aperçu du titre
- Disponible
- Frais de livraison
- Gratuit
- Méthode de livraison
- Lien de téléchargement numérique via e-mail ou tableau de bord personnel sur ce site
- UPC
- 730099457828
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