For
Evgeny Kissin, recording
Prokofiev's Third Piano Concerto must be déjà vu all over again, to quote noted American philosopher Yogi Berra, because every time the Russian pianist switches labels, he records the piece again. In 1985, he recorded it for RCA with
Andrei Chistyakov and the
Moscow Philharmonic, and in 1994, he recorded it for Deutsche Grammophon with
Claudio Abbado and the
Berliner Philharmoniker. In 2008 he recorded it for EMI with
Vladimir Ashkenazy leading the
Philharmonia Orchestra. Unfortunately for the listener,
Kissin's performances are also a bit of déjà vu. Nothing much has changed in his playing -- he's still an exceptional virtuoso with a brilliant tone, and nothing much has changed in his interpretations -- he's still more interested in the work's poetry than in its drama, and thus the central theme and variations is still the heart of his performances. What has changed is
Kissin's commitment to the work. In his first recording of the piece,
Kissin sounded like he had something to prove, and in his second, he sounded like he was having fun. Here, however, he sounds more like he's going through the motions. Every note is perfectly placed, every line ideally phrased, every sonority superlatively balanced, and every tempo expertly chosen, but nothing sounds like it means much more than another canter around the track for
Prokofiev's warhorse. The addition of the composer's Second Concerto, while new to
Kissin's discography, is no more fresh or appealing in performance or interpretation, and
Ashkenazy and the
Philharmonia as accompanists do not improve on
Abbado and the
Berliner Philharmoniker. For listeners who have either of
Kissin's two earlier performances of the Third, there is not much need to try this one, unless they have to hear his reading of the Second Concerto.