In 2005, Saga Jazz released a 62-track anthology of
Charlie Parker recordings under the title
Retrospective 1940-1953. It's a good strong shot of vintage bop, but like so many compilations it suffers slightly from chronologic scrambling. That wouldn't even be worth mentioning were it not for the inclusion of a handful of
Bird's early pre-bop recordings. The oldest material, which happens to be the earliest known recording of
Charlie Parker, shows up on track 24; "Honeysuckle Rose/Body & Soul" was recorded in Kansas City, KS on May 11, 1940. Placing this chestnut more than one-third of the way into an almost chronological collection is incongruous and will not assist anyone who is trying to savor the man's artistic development over a stated span of thirteen years. That, after all, is what chronologies (and historic jazz collections) are for. The next-to-oldest recordings appear closer to where one would expect them to be -- at the very beginning of the collection. "Swingmatism" and the "Hootie Blues" were recorded for the Decca label in Dallas, TX on April 30, 1941 by
Jay McShann & His Orchestra. Something like a chronological progression does manage to materialize, more or less, and when
Bird isn't leading his own groups he is heard sitting in with bands led by
Red Norvo,
Slim Gaillard, and
Dizzy Gillespie. While it's very nice to know that these great recordings continue to circulate, it's a damned shame they didn't place the titles in chronological sequence, for
Charlie Parker's progress occurred swiftly and very dramatically and there's nothing quite like hearing him evolve, session by session and note by note.